Recent Shows & NODA Reviews

CRICCIETH STARLIGHT PLAYERS

Reviewed by: Jackie Titley on 27 January 2024

Show: Robinson Crusoe

Type of Production: Pantomime

Venue: Criccieth Memorial Hall

Producer: Kate Dunn

Director: Ben Rosen

Musical Director: Dan Evans

Choreographers: Paula Carr, Kate Dunn, Paul Dunn, Jenny Williams.

Written by Nick Keane, a founder member who passed away in 2022.

Review:

What a panto driven by an energetic, imaginative team. The Starlight Players

first panto was in 1974 when the society was formed– yes, 50 years ago. There

is still a healthy and able membership of all ages. We were entertained by all of

them.

This was Robinson Crusoe with a twist. One of the elements of these shows is

the audience participation. Right from the start the audience is engaged, booing,

clapping, singing, catching sweets and several members dressed in pirate

costume, a nice touch.

The show started with 2 opposing teams of pirates (goodies and baddies) around

the camp fire “exercising” some press ups!!!. A nice lighting effect throughout

that scene and others.

The painted backcloths complimented each scene. The clever use of rope

rigging, a raised area for the capston wheel gave us the ship. Costumes were

hand made by the company and there were several inventive outfits, more of

that later.

Friday (Paul Stevenson) was dressed very well and had a company of pirates

and orphans living with him on the island. Very much in charge. Little Eric

Crusoe (Scott Wilson) was quite a timid Buttons character – he had a very

pleasant singing voice.

Fanny Crusoe (John Roberts) was a typical dame. There was help from the

orphans to bake a cake – always fun. Cedwick (Paula Carr) was an excellent

‘stooge’ pirate and worked well in company with Wodwick (Emma Griffiths).

They skipped to answer orders from Captain Creep (Paul Dunn). He was good

as a baddie and his singing voice was fine too.

I thought Robinson Crusoe (Josh Wilde) arrived at the landing bay in a clever

wheeled boat. He was exceptionally lucky to have Parrot (Tess Whomsley-

Walker) on board. As ever, she played her part very well – full of fun & energy.

A good costume.

The chorus were lucky to have 3 choreographers teaching the dance routines

which were excellent and done with a lot of energy, especially the hornpipe

using mops. Lots of the chorus also had a chance to have solo lines in songs.

Well – Act 2 opened with the “mermaids”, who had the treasure. They were

something else. Sitting on rocks in their very effective costumes. The colours

were those of jewels. Ruby Coldheart (Liz Crooks), Luna Shrimpdragon (Leisha

Keane) and Pearl Deepweed (Julie Roberts). I wondered where they were in the

first Act but it was worth waiting for them to appear. Lots of fun and expertise

in their performance, quoting Macbeth “witches” and lovely harmony singing.

The last performer was Weedy the Sea Monster. How clever that the company

collected and recycled litter from two beaches to make a very large sea monster

“Weedy”. Help was from members of Creative Criccieth and the result was a

green monster that needed 6 junior performers to bring it to life on stage. His

roar was quite powerful.

The recycling theme was also used when the mermaids tested Robinson Crusoe

and Parrot. Parrot had the right answers and gained the treasure.

The director & producer along with the production team and performers did a

very imaginative performance. Congratulations. We, along with the rest of the

audience had a good time with Starlight Players.

It is nice to see BSL signing being provided within some companies, including

Starlight Players.

Jackie Titley

District 1A Representative

====CRICCIETH STARLIGHT PLAYERS

Reviewed by: Jackie Titley on 22 August 2023

Show: Curtain Up

Type of Production: Play

Venue: Criccieth Memorial Hall 

Producer: Dan Evans

Director: Dan May

Choreographer:     Kate Dunn

Review: 

I have not happened to visit a summer show in Criccieth before. I am sorry to have missed them.

This farcical comedy tells the story of a group of women who inherit equal shares in an old, ruined theatre. Their efforts to keep the theatre from destruction causes them to get into all kinds of chaos and madness, including a money-raising keep fit event and a bingo night with missing numbers. Their most ambitious scheme is to hold a local talent concert with an invited famous star, “Liza Minelli”.

This farce gets out of hand but ”the show must go on”, and the audience is not fooled. The result is that the five have to pay money back but have formed a cohesive group with a future together……. It suggests.

The cast involves 5, very different, female roles. A challenge for all which the cast embraced thoroughly. There was a very simple set suggesting a dilapidated, untidy theatre. Throughout the play this was slowly tidied up, partially repainted and an effective silver glitter wall for the concert.

Theresa (Eve Harris), the daughter, was a gentle person who was always attempting to cool down her mother. She played her part very well. I know “the show must go on” and Eve showed this when wearing a knee brace – she had injured it a few days previously.

Indeed the keep fit session was excellent. There was just enough ‘send up’ and mistakes. In this scene Betty (Leisha Keane) was very funny. In fact she gave a wonderful performance throughout. I loved the touch of a stage-hand mopping up the sweat after the exercises. The backstage crew moved quietly and quickly in the scene changes. This always helps in the running of a show.

Betty and Sharon (Emma Usher) sitting together worked well. Sharon was a real extrovert in the show, blue hair, red hair and the sheer excitement she showed.

Jackie (Emma Lloyd) was a good contrast to Sharon, establishing herself as the 2nd wife of the deceased and attempting not to rise to Pam’s goading and comments. Jackie and Theresa had a good understanding of their situation.

And then there was Pam (Joanna Vincent). She showed the feeling of the hurt first wife who was extremely jealous of Jackie. They had lots of prickly encounters which actually ended with an understanding and working together in the group. Pam had the difficult task of standing in for Liza Minelli. A backing tape was used for the song and wig, make-up and clothes to depict her. Pam didn’t mind appearing with ruined hair and black stained eyes as she was so upset. A difficult part to play. She tried and failed to get the others to take it over. The ruse failed with the audience demanding their money back.

Although initially the characters did not understand why they had all inherited the theatre, the show finished with a poignant message to all with a joint effort to really keep the theatre going and moving on with their own lives together.

Well done all – cast and crew - for making it a worthy show.

CRICCIETH STARLIGHT PLAYERS

Reviewed by: Jackie Titley on 21 January 2023

Show: Snow White

Type of Production: Pantomime

Venue: Criccieth Memorial Hall

Producers Paula Carr and Paul Stevenson

Director and Author: Liz Crooke

Choreographers: Jenny Williams, Paula Carr and Kate Dunn

Review

Well here we are again – “Pantomime season”. Oh yes it is!

Liz Crooke wrote Snow White and it was performed in 2014. This time Liz was directing for

the first time and was delighted to have a chance to put her ideas on stage, and a very good

job the whole company made of it. The Players and SPYDRS performed together. SPYDRS

were given lots to contribute to the story.

They began in front of stage with playground games, skipping, hula-hooping. They also

appeared as ingredients for the Dame’s cake, the onion was extremely cute, and as Rabbits in

the wood. As Dwarfs they showed their special character and performed ‘Busy Doing

Nothing’ very well.

Of course, as in panto there are a large number of ‘extras’ for the company, and yes, audience

participation was well and truly encouraged. We were invited to join in several songs, and

came up to the mark.

I would like to mention here the choreography throughout. I was very impressed with

confident performances, the variety of dances and formations. Lots of the dances were quite

simple but extremely effective and colourful.. The company continue to use piped music very

effectively and the opening singing was lovely and in harmony.

Snow White was played by Destiny Crawley who has a lovely singing voice especially for an

11 year old. Ben Rosen played the Dame, Hattie Hapless, well and related well to the

audience. Horace Hapless (Catrin Mari Parri) and Henry Hapless (Tess Whomsley-Walker)

played the comedy couple. Not always easy parts to play as part of their role is to make use of

the audience, but they worked well together. Obviously talented musicians as well, playing a

trumpet & guitar duet.

Prince Pip (Elin Wyn Roberts) was well cast. Queen Vileria (Paula Carr) was suitably evil

and certainly domineering towards King Walter (Dan May). Certainly the downtrodden King.

Fairy Cupcake (Kate Dunn) did her best to use her magic, sometimes it was misdirected with

suitable consequences. Kate’s inevitably enjoyable performance. I loved the magic mirror

Reflectanna (Julie Roberts), simple but very effective breaking and repairing.

The characters were well cast throughout. I loved Jenny Williams’ voice as a chorus member

and would have been happy to hear more.

No production functions without the back stage crew who came up to the mark as usual. The

scenery was suitable and lovely to see some of the backcloths from past shows. Nice memory

to keep of Peter Weston. Costumes were effective, again use made of their extensive

wardrobe. The dame’s costumes were very effective, varied and original as were the black

and white outfits.

The audience are always willing to participate at Criccieth and lights on phones helped to

enhance the final number. The audience all left with a happy uplifting feeling.

Well done everyone.

NODA WALES & IRELAND REGION

DISTRICT 1A

CRICCIETH STARLIGHT PLAYERS SPYDRS

Reviewed by: Jackie Titley on 23 April 2022

Show: Cinderella in Blunderland

Type of Production: Pantomime

Venue: Criccieth Memorial Hall

Producer: Kate Dunn

Directors: Sue Cooper and Ed Farrow

Choreographers: Krystal Rice and Kate Dunn

Review

Imagine the excitement for the young cast having an opportunity to take to the stage again.

They had cancelled the initial show due to Covid after a few weeks rehearsal. Possibly for

some this was their first panto, at last!

This original panto was written by the company and Ed Penny, a locally based screenwriter

and dramatist. Sadly, along with Peter Weston, their amazing backcloths designer, they

passed away before the company were able to put on the performances. In honour of their

memory, the company were delighted to present the show.

Cinderella in Blunderland is a combination of Cinderella and Alice in Wonderland. A

meeting of characters from both which continues to include well known features from each

one with a touch of Aladdin and his lamp to move the stories along. The genie (Kenwyn

Kruzel) gave a confident portrayal.

There were several company dances instead of songs, all well rehearsed. Cinders (Tess

Whomsley-Walker, sang beautifully sitting by the kitchen fire, supported by rabbits and

squirrels. All other music was taped but it worked well.

Sam (Bronwyn Butler) and Ella (Charlotte Reece) take on the ugly sisters had the unenviable

task of warming up the audience, in which they succeeded. Later on in the story they took

other parts, especially Tweedledum and Tweedledee, which gave them scope for delighting in

portraying different character presentation.

Max Wilson portrayed lots of characters throughout. He appeared to really enjoy this and I

loved the ‘crash bang’ notices which he used very effectively. He was also the March Hare

and the driver who delivered Cinders to the Ball in a truck.

Many of the characters had an opportunity to say “I can’t remember”. Was it a theme

throughout or reminding me that these days it gets used a lot?

The poor Prince (Charlie Jones), who did a great courtship dance, played his part well but did

not win Cinders for his wife. She much preferred White Rabbit who was played by Ellie

Whomsley.-Walker. Her experience on stage really showed through, she was very lively and

on occasions lifted the pace and mood. Witch Way (Krystal Rice) was also able to portray her

part as the baddie

The link between lots of varied panto themes worked seamlessly, backcloths hand painted

and the one showing us disappearing into Blunderland was very cleverly done.

Mad Hatter’s (Lexi Whomsley-Walker) party was very entertaining and gave many members

of the cast a chance to play their own special character. Dormouse (Daisy Wilson) also

played Droopy of the dwarfs. She appeared to be very young with a clear speaking voice. I

expect to see her in forthcoming performances.

Wardrobe were able to use their plentiful supply of super costumes. The panto was supported

by an imaginative technical team and well timed lighting changes and sound effects and well

rehearsed choreography.

We enjoyed our visit to this fresh panto and look forward to your next venture.

Well done to everyone, both on and off stage and Front of House.

Reviewed by: Jackie Titley on 25 January 2020

Show: Knight Fever

Type of Production: Pantomime

Venue: Criccieth Memorial Hall

Producers/Directors: Joanna Vincent and Dan Evans

Choreographer: Jenny Williams

Review

It appeared that Dan, the director, chose this panto and it was ideal for Starlight Players –

Principals, Knights, Camelot Creatures, Junior and Senior chorus and an assortment of

costumes. Yes, it was all there, everyone having fun. Nice work on the scenery, the arched

windows were particularly good for setting the scenes. It was pleasing to see another local

group from Caernarfon supporting in the audience (and in the street) wearing their chainmail

costumes.

Unfortunately the mics were not always coming on when needed and the balance took a

while to be corrected. The taped music added breadth to the singing which moved everything

on a pace.

Lester the Jester (Paula Carr) had the difficult job of opening the show and engaging the

audience. As the performance progressed so she engaged us more and more. She had a good

strong voice and athleticism. Nothing phased her, not even carrying a huge rucksack. Her

jokes were continuous and she obviously enjoyed herself and shared this enjoyment with us

Justin (Samuel Jolly) a stable boy who entered the competition to become a knight was in

love with Princess Anna. This spurred him on during jousting and sword fighting, He was

quite quiet but competent in the role.

Princess Anna (Eve Harris) held her accent throughout but deliberately, while learning

English, got her tenses wrong. She had a nice singing voice and she and Justin worked well

together.

The Knights were given clever names Sir Cumference, Sir Uptitious and Sir Tificate. The

Knights ’Quest’ dance worked very well and the gangham style dance was really enjoyed by

the chorus.

The chorus and Principals performed an excellent marching routine. Good use was made of

the auditorium which left room for the principals on stage. There was a big assortment of

costumes, especially for the youngsters. They also performed an excellent effective

fluorescent scene.

A little twist in the story when the dragon was a little girl (Evie Chappell). Dame Doris

(Jason Smith) was suitably attired and encouraged laughter with her/his actions. Not so the

Black Knight (Dan May) who encouraged boo’s from the audience.

This was a popular community based panto which was supported well by their audiences and

provided opportunities for all to join in, both young and not so young.

Congratulations and well done to you all.

Jackie Titley

NODA WALES & IRELAND

DISTRICT 1

LYN EMMERSON

STARLIGHT PLAYERS

STARLIGHT SHOWCASE

A Variety Show

CRICCIETH MEMORIAL HALL

27 TH AUGUST 2019

Director/ Musical Director: Kate Dunn

Choreographers: Paula Carr: Jenny Williams: Kate Dunn

The Director/Author of the evening’s entertainment, Kate Dunn, must be congratulated yet again

of putting together another piece of musical theatre for Starlight’s summer run. A huge

commitment by the whole Company to a summer run of 11 weeks, entertaining every Tuesday

evening, emphasises the loyalty of all the members.

The story is based on the inception of a new Musical Theatre Company, namely Clearford Amateur Theatrical Society, C.A.T.S. and leading up to their inaugural performance. The ‘casting committee’ witnessed various auditions, some tongue in cheek, which brought laughter from the audience, thus stressing the pros and cons of a mammoth undertaking. All the main characters were believable with Director Chris, played by Paul Stevenson the evening I was there, and who seemed to have control over the committee. I understand Dan May portrayed Chris on occasions and gave a creditable performance. Joanna Vincent as Ellie, Paula Carr as Sonia, Karen Tomkins as Beattie, and Paul Dunn as Horace, all talented and experienced players, contributed in giving us a very strong cast. Good to see some newcomers to the Company. A very energetic Samuel Jolly revelled in his role as over the top Choreographer, Jules, for the newly developed company C.A.T.S. Minor roles were all well characterised with ‘supporting cast’ taking the experience in their stride as the whole company gelled together.

Good choreography devised from the ‘team,’ particularly evident in Act 2. A very hardworking

back stage team, lifted the production, which was received by a very appreciative audience. What

a colossal task building the set every week, and then striking it until the next week, and what

dedication.

Congratulations to all concerned, artistic team, cast, crew, and technical. Thanks once again for

the warm welcome as always, from front of house team, and Starlight’s commitment to Amateur

Theatre in the area.

NODA WALES & IRELAND

DISTRICT 1

LYN EMMERSON

STARLIGHT PLAYERS

RED RIDING HOOD

CRICCIETH MEMORIAL HALL

26TH JANUARY 2019

Producer: Kate Dunn: Director: Ed Farrow

Musical Director: Melissa Minnice: Choreographer: Paula Carr

‘Whose Afraid of the Big Bad Wolf’ was definitely on the cards at this pantomime. Preceded by a warm welcome from The Kind Fairy, Rebecca Crooke, the chorus painted a superb opening to the piece. Peter Weston again – top marks for some excellent backdrops which added to the feel of the pantomime. 

Catrin Mari Thomas was in fine voice with her portrayal of the title role, Red Riding Hood, her  ‘Love Letters Straight from the Heart’ being a highlight of the production. Paula Carr was on top form as Peter, The Woodcutter and was a fine foil for Red Riding Hood. Good contribution from youngsters Jake Rice and Krystal Rice as Patches and Pinny respectively, we could hear every word. Dan May earned many boos from the audience as the bad Squire Bullimore whilst Miss Took, complete with hockey stick, was characterised by Liz Crooke. Paul Dunn was bang on target as the Dame of the Pantomime, Granny Knot. Paul fully immersed himself in the role much to the delight of the audience, bringing audience participation, which is really a major part of pantomime to the fore. He led the youngsters in a great number ‘Iam a Wooflie’ at beginning of Act 2.  The trio of Reddy - Kevan Loney, Willin - Kate Dunn, and Unable – Roy Stambrow,  worked well as a comedy trio, with Ben Rosen as The Wicked Wolf receiving many screeches from the younger members of the audience to everyone’s delight. I felt some of the Wolf’s script was inaudible at times due to his mask, must have been very hot, but nevertheless a creditable performance. Tess and Ellie Whomsley-Walker completed the list of principals as the loveable Samson the Horse.

Both Senior and Junior Choruses made full use of the stage and shone in their musical numbers, both vocally and with their movement. The dancers from Gaynor Owen School of Dance delighted the audience once again with their routines. It was good to see yet another less popular pantomime performed by this enterprising Company – Thank you very much once again.

NODA WALES & IRELAND

DISTRICT 1

LYN EMMERSON

STARLIGHT PLAYERS

BOEING BOEING

CRICCIETH MEMORIAL HALL

4TH SEPTEMBER 2018

Director: Geoff Atherton

This was the final performance of the summer run from this group of dedicated performers. As I have indicated previously, such a commitment every week during the months of July and August. A great opportunity to entertain the tourists in this perfect holiday resort. 

The set was perfect for the size of the stage, well designed with four doors for the cast to enter and exit as the play progressed. Lighting and sound was right on cue and costumes were well thought out.

The cast were no strangers to the stage, with Paul Stevenson giving a solid portrayal as Bernard, owner of the flat setting the scene. The piece got off to a good start with Bernard juggling with three Air Stewardesses all arriving on different flights, this was an art in itself. Admirable performance from Leisha Keane as Bertha, Bernard’s french housekeeper and ‘keeper of secrets.’ It was evident that Bertha thoroughly enjoyed this role and managed to get Bernard out of difficult situations throughout the play. With the arrival of Robert, an old friend of Bernard’s, the play went to a different level. Paul Dunn was just superb as Robert and the script was delivered with more pace. Paul’s experience on stage was evident, his characterisation was truly believable and his timing extracted every ounce of comedy from his role. The three Air Stewardesses, were all well cast. Anwen Williams as American Gloria, Paula Carr as Italian Gabriella, and Kate Dunn as German Gretchen, all gave praiseworthy portrayals of three very different characters, all three maintaining their individual accents throughout. I must mention talented Karen Tomkins who doubled up in the role of Gabriella on occasions. 

I must congratulate Director Geoff Atherton on his first involvement with Starlight Players which has been a triumph for all concerned, and it was evident with the atmosphere which emerged from the stage, this was a very happy production. Thank you once again Starlight, for your warm welcome as always, and I look forward to your next adventure, Red Riding Hood in January 2019.     

NODA WALES & IRELAND REGION

DISTRICT 1

CRICCIETH STARLIGHT PLAYERS

ALICE ….THE PANTO

Reviewed by Jackie Titley for Lyn Emmerson on 18 January 2018

Type of Production:  Pantomime.

Producer: Bryony Green.

Director: Ben Rosen.

Choreographer: Jenny Williams.

Musical Director: Dan Evans.

Review:

A show with lots and lots of energy. Alice in Wonderland, a well known story, adapted as a panto by the Starlight Players. As the producer Bryony says, lots of fun, laughter, singing and dancing. There were all of the elements of panto included, “he’s behind you”, “oh yes it is”, and lots of audience participation. There was even an Audience Participation Officer (Ben Rosen, the Director), who fell foul of the custard pies!

The action started from the audience which contained most of the cast. Like a flash mob, they arose from their seats to join in a lovely harmonised “In The Land Of Make Believe”.  Everyone had finger lights and the whole song was choreographed using the lights. All dressed in modern dress which was soon to be replaced by an absolutely wonderful array of costumes as the panto unfolded. Very well done Costume Team. I particularly liked the Queen of Hearts’ costume, so many details. The Queen (Kate Dunn) had a lovely singing voice and her portrayal of her character was 100% believeable. Many heads rolled and jelly baby gifts did not encourage young audience members to vote for her.

White Rabbit (Paul Stevenson) was extremely energetic throughout. He certainly ran young Alice (Eve Harris) around. She needed her energy to keep up with him. She had a lovely voice, quite mature for such a youngster.

Again, there was a clever use of lights in the fluorescent scene, even a teapot “tipping” the lights in the cup, very clever and appreciated by the audience. It was not long before Tweedledum and Tweedledee (Paul Dunn and Paula Carr) came to join the fun. More brightly coloured matching costumes and exhuberance. They worked well together.

The Fairy Godmother (Karen Tomkins) made an interesting entrance and set the theme of being a “foodie”, sticky buns, chocolate cake, ice cream accompanied her. Her spells inevitably went wrong and she never really knew who “Alice” was.

White Rabbit met his match when he asked “The Boss” (Julie Roberts) for payment for his hard work. With help from the audience and clever sums she convinced him that with weekends and holidays, etc. he actually didn’t work at all! We were also introduced to the caterpillar (Roy Stambrow and Bryony Green). This was another excellent costume and accompanied by their hookah they had to work together as they were connected at each end of the body.

We had to wait for the entrance of the Cheshire Cat (Ed Farrow) but it was worth the wait. Bright orange and stripes. He and Alice encouraged 2 children on to the stage and there was a rendition of Old MacDonald’s Farm.

The Duchess (Leisha Keane) and her baby took us up to the interval with her antics, losing and finding her baby in the audience. There were some, again, very colourful costumed chorus, animals, etc. who joined in a line dance which was well rehearsed. Young and adult members working alongside one another, all smiling and obviously enjoying themselves.

The scenery in the first half was to be commended – one hired mushroom set and the others designed and painted by an obviously very talented Peter Weston. We were not to be disappointed in the 2nd half as the Mad Hatters House was a wow factor. Of course the sound and lights team were right on cue with door opening and closing with a bang whenever March Hare and Mad hatter went in and out. March Hare (Awen Williams) and Mad Hatter (Catrin Thomas) again worked well as a team. Mad Hatter especially with a very colourful costume and enthusiasm and personality to match.

Doormouse (Riley Jones) had a nice clear voice and could not resist tapping his feet in time to party music whilst “asleep”. Another excellent chorus number.

Of course, Alice – The Panto, was not complete without the Queen of Hearts , Knave of Hearts (Jenny Williams) and King of Hearts (Jason Smith). The King of Hearts inevitably turned from a brow-beaten character to masterful in the end. He had to share his jelly babies with everyone but when the Queen tried to bribe the audience to vote for her along with the youngsters as the pack of card, they were not to be persuaded

No, I have not forgotten the trees (Tess Whomsley-Walker, Evie Chappell and Ella Fisher). They had a big presence on stage throughout and little arms must have been tired by the end – well done. Alice returned to the trees and her sister (Ellie Whomsley-Walker) and all was well.

What a busy, energetic, fun, colourful show this was. Audience and players enjoying every minute. Congratulations and thank you for the welcome you gave us on our first visit to this company.

THIRD WEEK IN AUGUST

Date: 5th September 2017

Society: Criccieth Starlight Players

Venue: CRICCIETH MEMORIAL HALL

Director: Ed Farrow

Producer: Dan May

Report Author: LYN EMMERSON

One could relate to this play as Criccieth is a fabulous tourist centre, and the Company must be congratulated in presenting this entertainment once a week throughout July and August. This is a huge commitment during the summer season. The set was well constructed as a caravan/camping site and much attention was paid to details regarding props.

The play opens with Sue, played by Kelly Stevens on the evening I was present, looking for peace and quiet, in order to write her latest book. Also present were the neighbours, husband and wife Neville and Mary. Neville played by Dave Hillman, is a person who lives by quoting rules and regulations and Dave gave us a believable portrayal of this boring character. The role of Mary was in the capable hands of Karen Dolen-Smith, who gave a domineering characterisation of his interfering, bossy wife, I can still hear her shouts of ‘NEVILLE’ from off stage, constantly gossiping about her sister in law who had just split from her husband, and how this situation had affected her. Having been to the same camp site on the same dates, hence Third Week in August, for the past twenty odd years, Mary and Neville decide to take their sister in law, Liz on holiday. Karen Tomkins was excellent in the role of Liz, her timing was spot on, venting her frustration at the situation in general, and especially at Mary, interfering and trying to direct her life. A commendable performance from Paul Stevenson as Tony, the laid back husband of Jenny played by Paula Carr. Paula rose up to the challenge with a self-assured portrayal of the spoilt, snobbish sun-worshipper with the sarcastic streak. I must also mention the three other members of the Cast who shared the performances and doubled the roles on occasions. Joanna Vincent as Sue, Dan May as Tony and Bryony Green as Jenny. Even though they were not on stage for the performance I witnessed, I am confident from what I have seen in the past, these roles were in safe hands, and they showed their support by working back stage or front of house on the evening I attended.

On the downside, I felt that as the venue has quite a large area, more voice projection from some of the characters would have been an advantage, as sadly some of the comedy was missed on occasions. There were also a few prompts but this did not detract from an enjoyable and creditable evening. Thank you for your continued support of Amateur Theatre in the area.

NODA WALES & IRELAND

DISTRICT 1

LYN EMMERSON

STARLIGHT PLAYERS

MOTHER GOOSE

CRICCIETH MEMORIAL HALL

21ST JANUARY 2017

Producer/Musical Director: Dan Evans

Director: Ben Rosen

Choreographer: Jenny Williams

As with many pantomimes, this show opened with Fairy Goosedown, played by Joanna Vincent. Joanna’s contribution to the production was faultless and articulate, as she appeared beautifully dressed, intermittently throughout the production.

I always think of the character Mother Goose as a cuddly, caring fluffy bird, doting on her goslings. In this piece, the character was portrayed with confidence by Jason Smith, who took command of the stage from his first entrance. Jason coped well with a range of  colourful wardrobe accoutrements, and had a good rapport with the audience. The roles of hero and heroine – Jill and Jack, were in the capable hands of Charlotte Williams and  Catrin Mari Thomas respectively, who both came up trumps in all their tasks. Karen Tomkins and Bryony Green filled the roles of Nifty and Shifty, but I felt at times, they were  a slight distraction from the other members of the cast. Paula Carr gave a notable portrayal as Silly Billy, Mother Goose’s son and Ed Farrow, whilst he could have been a tad more forceful, received the usual ‘baddie’ reaction from the audience in the role of Mephisto. He was attended by Ryan Price-Hughes as Mini Mephisto. Lovely performance from Emilie Spindley as Lucy Goose who was forced to lay the giant golden egg. It was great to see the minor roles well cast, including excellent cameo  performances from Joshua Wilde – Keeper 1 and Ellie Whomsley-Walker - Keeper 2, in the Fountain of Youth Scene in Act 2. Minor roles are most important and even though they delivered their lines from up stage, one could hear every word – well done. 

In the performance I saw, young Krystal Rice filled the role of Charlie with self-assurance, and I am confident that Neah Muir-Williams, carried off the same role with aplomb in previous performances.     

There was a lot of pantomime slapstick comedy content in this piece, as we were treated to a paint sketch, light show and some audience participation. The cast had a good balance of youngsters and adults, all musical numbers spot on with interesting choreography. Costumes were appropriate with detail to hairstyle and make up, which all culminated in another triumph for this enterprising company.

NODA WALES & IRELAND

DISTRICT 1

LYN EMMERSON

STARLIGHT PLAYERS

ROLEPLAY

CRICCIETH MEMORIAL HALL

9TH AUGUST 2016

Producer: Joanna Vincent: Director: Ed Farrow

The third of a trilogy of comedy plays called ‘Damsels in Distress’ this piece drew the crowds into the Memorial Hall every Tuesday during the summer tourist season. This is a true commitment and the whole company must be congratulated on their dedication.

Roleplay was set in an apartment in the Docklands and I was most impressed with the design and set construction. Justin Lazenby a software designer and fiancé Julie-Ann Jobson were due to celebrate their engagement with a super dinner for the in-laws. Justin played by Rhys Westlake brought out the nervousness of the occasion meeting his future in-laws for the first time whilst Julie-Ann, Hannah Westlake, strived tirelessly to make the evening just perfect with everything going like clockwork. This couple, husband and wife in real life, were onstage for long periods during the play and carried their roles off without hesitation, maintaining their characters throughout, well done.

Paige Petite, an ex-dancer, played by Bryony Green, is kept virtual ‘prisoner’ in the flat above by her viscous boyfriend. Trying to escape her ex-boxer minder, Micky Rale, portrayed convincingly by Dave Hillman, Paige lands on Justin’s balcony and won’t leave Justin’s apartment. It was evident that Bryony, thoroughly enjoyed this role taking every opportunity of displaying her talents as a dancer, whilst doing everything to escape from her Minder. Brilliant performances from Paul Dunn and Kate Parry as Julie-Ann’s ‘definitely not trendy’ parents, Derek and Dee Jobson respectively. Paul & Kate are very experienced in stage craft, and the broad Lancashire accents they produced suited perfectly their characters and situations. Another polished performance from Leisha Keane as Arabella Lazenby, Justin’s mother whose partner didn’t turn up from the last pub they visited enroute!  Leisha portrayed Arabella, Justin’s posh intoxicated with aplomb, yet another feather in her cap.  I must at this point mention Paula Carr who alternated the role of Paige with Bryony. I have no doubt that Paula’s interpretation of the role was also well received by the audience.  

On entering the hall, we received the usual very warm welcome from the Company. Credit must go to Director, Set Designer, Set Construction Team and Crew together with Lighting and Sound Technician. The Docklands apartment was perfect for the area available, with much attention paid to details. Lovely evening performed by my friends in Starlight and received by an enthusiastic audience. Congratulations, thanks and- Well Done all.

NODA WALES & IRELAND

DISTRICT 1

LYN EMMERSON

STARLIGHT PLAYERS

Disney’s BEAUTY and the BEAST JR

CRICCIETH MEMORIAL HALL

23rd JANUARY 2016

Producer/Director: Melissa Minnice

Musical Director & Choreographer: Melissa Minnice

When I go to see a show, I like to be transported for a couple of hours from the problems of the day to another world, and that’s just what happened on this occasion. Make believe is a wonderous thing, and the Company really took us down that route with this production.

The role of the Narrator was in the capable hands of Julia Roberts who gave us a comfortable and articulate start to the proceedings, The

colourful opening scene saw the village come to life and introduce our heroine ‘Belle’ in grand fashion. One could see from very beginning the chorus were well rehearsed, disciplined, and the Director had her finger on the button from the start. Lovely performance from Hannah Westlake as ‘Belle’ who was faultless in all her tasks, singing was spot on and she showed empathy toward the Beast. Paul Dunn gave a sterling portrayal of The Beast, emphasising the change in character, and his transformation to the Prince at the end was convincing to say the least. Steve Clayton was perfectly cast as Gaston, hell bent on marrying Belle. The stage lit up on his entrances – great to see him back on stage after a break. Paula Carr brought all her stage experience to the role of Lefou, Gaston’s side kick. I really liked the contribution from the three ‘Silly Girls’ -, Jenny Williams, Kelly Stevens and Karen Tomkins respectively, all hoping to turn Gaston’s head with their antics, the three worked well together. Jason Smith gave a performance well beyond his years as Maurice, Belle’s father whilst Peter Weston fully justified his selection as Monsieur D’Arque.

The servants at the castle were all confidently played. Dan Evans as Lumiere, the Candlestick, Kate Parry’s portrayal as Cogsworth was second to none, her timing was perfect. Catrin Mari Thomas poured everything into her role as Mrs Potts - Teapot, her diction was impeccable and her song ‘Beauty and the Beast’ in the second Act was memorable. A positive performance from seven year old Neah Muir Williams as Chip, who just seemed so at home on stage. Experienced Leisha Keane gave us a commanding performance as Madame De La Grande Bouche, Wardrobe whilst Charlotte Williams enjoyed her role as Babette the French Maid.

The chorus numbers were well choreographed from start to finish, particularly ‘Be Our Guest’ at the opening of Act 2. The junior members, Spydrs revelled in the Wolf Attack and gave support to the Narrator. Costumes were stunning throughout the show and much thought had been given to hair and make-up and the teams must be congratulated. The production flowed from start to finish with no pauses due to the experienced Stage Crew, Lighting and Sound. All in all, a brilliant production which fully justified the accolade the Company received.

NODA WALES & IRELAND

DISTRICT 1

LYN EMMERSON

STARLIGHT PLAYERS

THE VICAR OF DIBLEY

CRICCIETH MEMORIAL HALL

18TH AUGUST 2015

Producer: Dan May: Director: Peter Weston

This stage adaptation from the first two series of the ever popular Vicar of Dibley between 1994 and 1998 was a winner from the start. All the characterisations were spot on and the Group gave excellent performances, weekly throughout the summer, a great commitment for which they must be congratulated. The set was divided between The Parish Hall and The Vicarage. This worked well for the 23 scenes, and the cast and crew handled the transition from one scene to the next without hesitation. All the appropriate props were to hand, and lighting was right on cue.

The coveted role of The Vicar – Geraldine Granger, was in the capable hands of Karen Dolan- Smith who gave us a professional performance, very rarely off stage and holding the entire cast together. Karen brought out every aspect of the Vicar’s personality, an admirable portrayal of which she must be very proud – well done. Ed Farrow gave us a good performance as David Horton, the anti- female Vicar ‘Lord of the Manor’ who would stop at nothing to rid of this female Vicar, but finally comes to terms with the situation. Kevin Loney and Bryony Green were well cast as Hugo Horton and the innocent Alice Tinker. Eric Maggs was suitably cast as the stuttering Jim Trott with his No No No No No! - Yes! which the audience loved. Paul Dunn extracted the most out of his role as Frank Pickle, minute keeper of the Parish Meetings, cow towing to David Horton and asking ridiculous questions which brought many chuckles from the audience. Dan Evans as Owen Newitt gave us a most explicit ‘handling’ of his farm animals, one could almost smell it. At the performance I attended, the role of Letitia Cropley was ably performed by Julie Roberts, and I note from the programme this role was also performed on occasions by Olwen Jones

The children – Junior Spydrs, the cast. Lizzie, Katie and Archie, - Lia Williams, Krystal Rice and Ryan Price-Hughes respectively, together with Cameron and Luke played by Jake Rice and Joshua Wilde respectively. A small cameo role – ‘Woman’ expertly played by Kate Parry completed the cast.

The performance culminated of on a very happy note with the wedding of Hugo and Alice. This indeed was an excellent evening’s entertainment from this group, who continually strive to provide first class entertainment for both tourists and locals alike. A great night out and the Group fully deserved the accolade it received.

NODA WALES & IRELAND

DISTRICT 1

LYN EMMERSON

STARLIGHT PLAYERS

DRACULA – A PANTO WITH TEETH

Criccieth Memorial Hall

24th January 2015

Director: Ben Rosen

Musical Directors: Kate Parry : Dan Evans

Choreographers: Kate Parry: Paula Carr: Hannah Dolen-Smith

This pantomime, written by a former member of the Company, was well directed, well rehearsed and discipline throughout the ranks was evident. A twist on the usual Dracula story, the company of 45 including 20 members of the Groups younger members, SPYDRs were confident in all the tasks the director had set, and the Company must be congratulated on their efforts.

The opening scene had that ‘feel good factor’ which made one sit up and take note, and this continued throughout the performance. Colourful costumes, indicative of the period and lovely sets from start to finish added to the success of the production. Members of the Gaynor Owen School of Dance joined the company in the opening number, and again in the beginning of Act 2 – great contribution. There were many excellent performances from the cast with Paul Dunn making the most of his role as Dame Betty Bumble. His rapport with the audience was spot on. Catrin Thomas was well cast as Tiffany Bumble with Paula Carr as Hans, their singing was excellent. Dan May revelled in the role of Baron von Frankenstein with Kevan Loney and Karen Dolen-Smith as his assistants Egor and Egress respectively - fabulous costumes and make up. Peter Weston did all that was required as Dracula, who later turned out to be the Sparkling Vampire! Julie Roberts gave us a regal Countess and I loved the contribution from Luke Williams and Felicity Hudgell as Champion the Pantomime Horse – well done! The minor roles were well executed and both senior and junior chorus pulled out all the stops to give us excellent choreographed musical numbers.

Another success for this enterprising Company and they thoroughly deserved the accolade they received.

NODA WALES & IRELAND

DISTRICT 1

LYN EMMERSON

STARLIGHT PLAYERS

HI DE HI

Criccieth Memorial Hall

12th August 2014

Producer: Kate Parry Director: Ben Rosen

A very special year for this Company, the ever popular ‘Hi De Hi’ was an excellent choice for celebrating 40 years of amateur theatre. Their summer run of one performance a week is always a highlight with both locals and tourists.

The café style setting with Yellow Coats greeting and mingling with the audience as one entered the hall, was a great way to start the evening. Kate Parry was perfectly cast as ‘Gladys Pugh’ whose South Walian accent never faultered throughout the play. Her feelings for Entertainments Manager Jeffrey Fairbrother, expertly played by Paul Dunn was evident from the start and she made it clear in every situation she was going to get her man. Paul Dunn proved to be very comfortable in the role of dithering ‘Jeffrey’ coping nervously with all staff problems – even ‘Gladys’ and giving other members of the cast confidence and the benefit of his theatrical experience. A polished performance. Karen Dolan-Smith received much sympathy from the audience with her convincing portrayal of chalet maid ‘Peggy Ollerenshaw’ whose one aim in life is to become a Yellow Coat. Liz Crooke and David Hillman were completely in step as ballroom dancers ‘Yvonne and Barry Stuart Hargreaves’ both trying to get the better of each other with sarcastic remarks whilst Peter Weston did all that was required as ‘Fred Quilly’. Julie Roberts enjoyed a crafty tot or two as ‘Mrs Partridge, Punch and Judy’. Minor roles included Yellow Coats and other staff members were well portrayed, but I must mention Paula Carr and Leisha Keane as they will take over half way through the eight week run as ‘Peggy Ollerenshaw’ and ‘Mrs Partridge’ respectively. They are both experienced players and I know they will carry their roles off with aplomb.

The set was cleverly designed, with excellent lighting, sound and costumes, all contributing to a resounding ‘Ho De Ho.’

DISTRICT 1

STARLIGHT PLAYERS

SNOW WHITE

Neuadd Goffa Criccieth Memorial Hall

25th January 2014

Director: Ben Rosen

Musical Director: Leisha Keane

Choreographers: Kate Parry Paula Carr

This was the 40th pantomime presented by Starlight and was written by Liz Crooke – The Wicked Queen. The piece all had the right

ingredients to justify the accolade they received from a large and appreciative audience. Teamwork was the emphasis here, with many of the cast including children taking more that one character – well done!

Catrin Thomas in the title role of Snow White was the perfect choice and with Charlotte Williams as Prince Pip, the fairy story really took off. They blended well together, both singing beautifully. Liz Crooke savoured every moment of the boos and hisses she received as Wicked Queen, whilst Paul Dunn portrayed the perfect dame role of Hattie Hapless –the audience loved him. Kate Parry and Paula Carr always triumph and this occasion was no exception with their interpretation of Horace and Henry Hapless – Hattie’s two sons, nice tap number! I particularly liked the way the magic mirror was portrayed, with Amy Charlesworth as Reflectarina rising to the challenge. The seven dwarves were played by Starlight Junior Section, SPYDRS, one could hear every word, each one conscious of the task set. Natalie Marshall as Fairy Cupcake, Ed Farrow as King Walter and Rebecca Crooke as Amelia – Snow White’s Friend, completed the major roles. There were many minor roles all well executed. Lovely ballet in second act with good contribution from Gaynor Owen Dancers choreographed by Tami Barma- Pritchard.

Costumes were well designed and backcloths really enhanced this production, particularly the forest scene and the dwarves house. Another feather in the cap for this astute Company.

NODA WALES & IRELAND

DISTRICT 1

LYN EMMERSON

STARLIGHT PLAYERS

TIME TWIST

Criccieth Memorial Hall

27th August 2013

Producer: Kate Parry

Musical Directors: Melissa Minnice Kate Parry

Choreographers: Kate Parry Lynne Holt Lauren Rice

This Variety Show, written by Starlight Members, took us on a trip through time on the Starlight Enterprise visiting many eras. Starting in Greece we ventured into Midsummer Night’s Dream with Spydrs, the Junior Section performing as Fairies all beautifully dressed. There was a

wartime feel about the first half with a visit to Rorke’s Drift, a sketch set in an air raid shelter with Julie Roberts, and a series of war songs in which the audience participated. Great contribution from Leisha Keane leading the Company in ‘Show Me the Way to Go Home’ which featured excellent harmony. A thigh slapping tap routine from Paula Carr and Kate Parry based on The Andrews Sisters, was well performed and gave a nostalgic feel. Inspired contribution from vocalist Melissa Minnice who gave us a relaxed, faultless performance of songs from the period.

Act 2 took us from 1976 to the present day, with plenty of opportunity for members of the large cast to demonstrate their talents. Cast members performed a well-rehearsed sketch situated in a Doctor’s Waiting Room with Paul Dunn as the over-worked Doctor, and three budding swimmers performing a hilarious synchronised swimming routine which nearly brought the house down. Lovely spot from Melissa singing ‘Memories’, later in the piece joined by Demi Davies, harmonising beautifully. The appearance of a Dalek at the end was the centrepiece of the finale. Costumes chosen were pertinent to each era and Choreography was interesting and well performed.

‘Variety’ was the word here, there was something for all ages which culminated in a very successful show, which this committed Group performed each week throughout the summer.